• Home
    • Installations
    • Performances
    • In Collaboration
    • In Public
    • Glass Sculpture
    • On Paper
    • Dear Georgia
    • Rough Drafts
    • fLoromancy Issue 52
    • fLoromancy Issue 36
    • Danspace Project Platform 2018
    • Reviews / Interviews
    • Lunches with Artists
    • Artist Statement
    • Reviews & Interviews
    • Biography
    • CV
    • Contact
Menu

Gyun Hur

  • Home
  • Works
    • Installations
    • Performances
    • In Collaboration
    • In Public
    • Glass Sculpture
    • On Paper
  • Writing
    • Dear Georgia
    • Rough Drafts
    • fLoromancy Issue 52
    • fLoromancy Issue 36
    • Danspace Project Platform 2018
    • Reviews / Interviews
    • Lunches with Artists
  • About
    • Artist Statement
    • Reviews & Interviews
    • Biography
    • CV
    • Contact
Field Studies, Gyun Hur, 2010, watercolor and pencil on paper.

Field Studies, Gyun Hur, 2010, watercolor and pencil on paper.

Week 4

August 9, 2021

Did I not tell you that as soon as you cross the border, he is going to suck you into his belly and spit you out, and that you will be in need of another sanctification that will take hundreds of years? 

Did I not tell you that thick greenery holds and turns his inequities into an unredeemable subject matter

Do you not remember?

You have written thousands of words wishing for your love from homeland to return, yet, 그님은 돌아오시진 않고,  your spirit keeps getting tamed by his smoke and cross that linger above you. 

Morning fog, steam sauna, blurry tears engulf your vision, so 

You leave as soon as you can. 

You get an invitation to come further South to make love, but you refuse as your body throbs from the night before. And you flee upward.

You arrive to this little place people call god’s land.

A bird flies over and asks you if you want to take a walk in her garden.

She takes you around and tells you stories from faraway long ago, and you forget yourself.

She hands you a bowl of water filled with 茉莉花 petals.

You close your eyes and sprinkle your forehead with two, three drops of jasmine scented water.

That blessed water saves you from damnation according to this ancient myth I wrote on behalf of you.

Praise this bird named 鳳 that has come with swift wind like holy spirit. 

So go on, you will be alright. 

Splash yourself with blessed water, and go on about another day. 

You will be alright.

Jasmine in Chattanooga, Tennesse

Jasmine in Chattanooga, Tennesse

A Creek in Soddy-Daisy, Tennessee
A Creek in Soddy-Daisy, Tennessee
The Water.
The Water.

Week 3

August 9, 2021

Wednesday June 16, 2021 at 10:56am

Let me enunciate. 

                Bless - ed - ness.

I am adding ‘ness,’ turning a forever grateful adjective into a claimed noun. Cana’s Wedding divinity is delivered here today in Soddy-Daisy.

Soddy-Daisy sucks me into her emerald green.

My inside twinkles with her coolness for the rest of the day. She fights the Southern heat and churnings of my unfiltered nightmares.

Dipping inside of her again, 

I whisper,

Ah no,

I enunciate.

                Bless - ed - ness.

Sealing what you and I have received from her, 

I christen us 

with glistening tears that soaks my hair for days, 

with sun left on my thighs 

to burn up our curses for many more years to come.

The artist’s studio in Chattanooga, Tennessee

The artist’s studio in Chattanooga, Tennessee

Gyun_01_Kudzu.jpg
An Evening Walk in Chatanooga, Tennessee
An Evening Walk in Chatanooga, Tennessee
Gyun_03_Kudzu.jpg

Week 2

August 9, 2021

Wednesday, June 9, 2021 at 10:55am 

Did you know on the other side of the street across,

That the kudzu ate red bank, that part people call god’s land?

Did you know kudzu came from near where we come from?

So it will survive alright

As we have.

 

And maybe

The kudzu will eat up the entire South

With its healing touch as the miracle vine

And maybe then,

Your red Iris won’t cry no more,

We will weave us garments of thousands of hearted-leaves with Dickey’s kudzu* flowers on our heads.

And surely then,

We won’t cry no more.

Gyun Hur, Thousand Kisses, In My Living Room, 2010, 8 hours performance in the installation at Get This! Gallery Photo: Lauren Hughes. Courtesy of the artist.

Gyun Hur, Thousand Kisses, In My Living Room, 2010, 8 hours performance in the installation at Get This! Gallery
Photo: Lauren Hughes. Courtesy of the artist.

Garden  in Chatanooga
Garden in Chatanooga
Wave Hill, Bronx (center and right)
Wave Hill, Bronx (center and right)
Gyun_04_WaveHillGarden.jpg

Week 1

August 9, 2021

Wednesday, June 2, 2021 at 9:17am 

I dreamt that I had a daughter. It wasn’t a son - it was a daughter after all, so we could name her Iris. That’s a Tennessee state flower, and I recently have found a dear liking towards that flower. I held her, and the doctor told me that she was going to be fine. She would live a fine life. And I cried and cried. 

This morning, while driving, I woke up and found myself soaked in the thick fog surrounding the Raccoon Mountains. Everything was a dream. Son and daughter forever asleep in my dark hours, they came and went. Here I am and no one is here. 

I raise the volume on my Bose headphones. Fela Kuti’s “Water no get enemy” smoothens my shoulder knots and a slight ache I feel on the right side of my wrist. My eyes twitch a bit, but my spirit relaxes with the lyrics. Slowly, I start moving.

T'o ba fe lo we omi l'o ma'lo

If you want go wash, a water you go use

T'o ba fe se'be omi l'o ma'lo

If you want cook soup, a water you go use

T'o ri ba n'gbona o omi l'ero re

If your head dey hot, a water go cool on

T'omo ba n'dagba omi l'o ma'lo

If your child dey grow, a water he go use

If water kill your child, a water you go use

T'omi ba p'omo e o omi na lo ma'lo


Blocking out the sound of a crane digging rocks and dirt off the ground in view by my studio, I am just trying to get my mind back. With no audience, no one around to listen to me, or cry with me, to assure me of the future I do not care to know of, I am just trying to stay intact.


Where are you? 

Are you here?

Where are you?

Yes, mama, I am here. 

Tell me your story again. I am listening.

I have another cup of coffee to finish, 

So 

Tell me.

Tell me everything. 

About your dad’s passing

About a clunk of sugar and marianna you chewed to stop getting sick

And how your son survived 

And how your gold saved you. 

Tell me.

Tell me everything.

I am here.

Gyun Hur, So we can be near, 2021, 2 days private performance in the installation at Sunroom Project Space.  A screenshot of video documentation by the artist. Courtesy of the artist.

Gyun Hur, So we can be near, 2021, 2 days private performance in the installation at Sunroom Project Space. A screenshot of video documentation by the artist. Courtesy of the artist.

All Images © Gyun Hur